格伦德尔代表世界的邪恶作为一个整体，虽然有些人可能认为这是撒旦和Jesus在他的三次信仰。根据格林布拉特（2012），“诗打开贝奥武夫的三大对抗超自然的邪恶，栖息其中的危险和恶魔的空间周围的人类社会，“这将是一个参考的基督教寓言的参考。（第38-39）。最后是三个邪恶的表现和第一贝奥武夫的脸。Grendel的第一次攻击邪恶是对丹麦人的秩序，给人民的浩劫。他的邪恶似乎是在自上而下地寻求丹麦社会的毁灭，使社会没有领导和保护，以免他们周围的罪恶。在这种方法中，Grendel将导致破坏秩序和公民社会的爪牙恶魔健康价值的寓言。而善与恶是一个共同的主题，在多个民间传说之前，基督教可以看到，对盎格鲁-撒克逊社会的基督教影响转录有关的故事，一个广阔的基督教观众。根据Stevick（1963），当通道使用引用的异教传统，然后提到基督徒的参考或缺乏基督教元素，”这一点基督教的解释是在随后的基督及其结果的战斗，说明账户预期增加，因为诗人试图产生一个大的，写的诗贝奥武夫，避免矛盾在Christianized和非基督徒与他工作”（84页）。信息和事实指向一个转录谁发现有些必须符合日耳曼英雄故事到一些有关基督教的社会中，这首诗可能是，和一些关于其基督教作家生活在社会。最初的故事告诉读者，社会上，这首诗可能被写在价值非凡的勇气和力量的行为。这将是一个社会，热衷于伟大的征服和艰辛的故事作为一种消遣娱乐。
新西兰奥塔哥地论文代写:三次信仰
Grendel represents the evils of the world as a whole, although some may see it as the Satan confronting Jesus in his three trails of faith. According to Greenblatt (2012), “the poem turns on Beowulf’s three great fights against preternatural evil, which inhabits the dangerous and demonic space surrounding human society,” which would be another reference to the Christian allegory reference. (p. 38-39). Grendel is one of three manifestations of evil and the first for Beowulf to face. Grendel’s first attack of evil is on the order of the Danes and wreaking havoc on the people. His evil appears to seek the destruction of the Danish society from the top down, leaving the community without leadership and protection against the evils that may surround them. In this approach, Grendel would be an allegory for the minion demons that cause destruction to order and civil society with wholesome values.While good versus evil is a common theme seen in multiple of folklores prior to Christianity can be seen, the Christianization of the Anglo-Saxon society has influenced the transcriber to relate the story to a boarder Christian audience. According to Stevick (1963), when passages use references to pagan traditions and then mention a Christian reference or lack Christian elements, “into which at one point a Christian explanation is added in anticipation of a subsequent Christianized account of the fight and explanation of its outcome, and because the poet was attempting to produce a major, written poem about Beowulf that avoided inconsistency in Christianized and non-Christian matter with which he was working” (p. 84). The information and facts that point to a transcriber who found in somewhat necessary to conform the Germanic hero tale into something about the Christian society in which the poem may have originated, and something about the society in which the Christian writer lives within. The original tale informs readers that the society that the poem may have been written in valued great acts of courage and strength. It would be a society that relished in the tales of great conquests and hardships as a pastime entertainment.
