中世纪大学的人文主义者对学术哲学影响文学作品组成的冲突,男性和女性在拉丁语和通用语——工作详细的造诣杰出女性,驳斥工作主要针对妇女的指控,认为适合男女的平等教育,适当标签工作,将女性的角色在家庭,在法庭上,在公共场合和工作描绘女性的生活和经历。这些“其他声音”的原始女权主义是文艺复兴文学影响的一个重要方面。大约在1365年,薄伽丘的Corbaccio了典型攻击女性自然写关于著名的女性,基于经典文本歌颂人文主义话语杰出女性从异教徒的希腊,罗马的古代,从古代以来的宗教和文化传统使读者意识到性通常是该死的或忘了十。然而，在其中，薄伽丘的立场通常是厌恶女人。这本书只尊重那些保持传统女性“品质”的女性，比如童贞、安静和顺从。例如，社会活跃的女性，例如，主权国家和武装分子，被描述为对侵犯男性领域的行为所遭受的可怕惩罚。即使Boccacio选择女性作为他的主题，他仍然坚持他的男性沙文主义态度，尽管在书中。克里斯汀·德·皮赞的《女士之城》一书中有第二份著名女性的目录，作为对薄伽丘的回应。
新西兰国际太平洋学院论文代写:中世纪大学
The Humanists reverence for the academic philosophy of medieval universities effected a literary flare-up consisting of works by both men and women, in Latin and in lingua franca--works detailing the attainments of prominent women, works confuting the main allegations made against women, works contending for the equal education of men and women, works labeling and reclassifying women's appropriate role in the family, at court, and in public and works depicting women's lives and experiences. The proto-feminism of these "other voices" represents an important aspect of the literary effects of the Renaissance. Around 1365, Boccaccio whose Corbaccio made the typical attacks against female nature wrote Concerning Famous Women, a humanist discourse based on classical texts eulogizing distinguished women from pagan Greek, Roman ancient times, and from the religious and cultural tradition since the olden times making all readers conscious of a sex usually damned or forgot ten. However, in it, Boccaccio's position was typically misogynist. The book only honored those women who maintained the conventional female “qualities” like virginity, quiet, and compliance. Socially active women, for example, sovereigns and fighters, were portrayed as enduring appalling penalties for infringing into male-domain. Even if Boccacio chose women as his theme, he maintained his male chauvinistic attitude although in the book. Christine de Pizan's Book of the City of Ladies contains a second catalogue of famous women, as a reaction to Boccaccio's.
