奥斯丁的作品反映了人们对女性角色态度的转变。与莎士比亚的戏剧一样，奥斯汀的小说把女性作为一种文学手段，把女性置于最前沿。奥斯丁笔下的女主人公不仅具有多重角色，而且还展示了奸诈的男人对女人的操纵。在莎士比亚笔下的悲剧性英雄奥赛罗被邪恶的人引入歧途，或者被女性迷人的性行为所驱使，奥斯丁的女性都是正直的人，他们的善意被男人的恶意破坏了。纳在奥斯丁的作品中独树一帜，甚至在其同时代的人当中也受到了审视。奥斯汀采用了女性成长小说，使其与众不同;她本来可以选择让纳成为英国父权制的代言人，但她却把重点放在了凯瑟琳作为一个人的发展上。莎士比亚笔下的女性人物形象往往是单一维度的。没有任何顿悟导致莎士比亚女性角色发生重大变化。另一方面，奥斯丁呈现了一个多才多艺的凯瑟琳，一个抛弃了一个富有的约翰(更不用说嫁给有钱人的人)的人，而是偏爱温和的牧师亨利。这个时代的女人会为一个约翰的财富而着迷，因为女人的生活要么是在修道院中度过，要么是在一个庄园里抚养孩子。在凯瑟琳的谦逊和真实的性格中，奥斯丁把婚姻的重要性放在了婚姻的基础上，而不是经济上的利益。在这样做的过程中，奥斯丁向观众展示了女性角色的更深层的一面，揭示了那些在社会界限之外生活的女性。通过凯瑟琳，奥斯丁传达了反对社会的希望和梦想，但都得到了培养和追求。比信息的实质更重要的是媒体;奥斯汀成功地将这些微妙之处，从一个女人的角度，从一个18世纪的语境中传递出来。
新西兰护理学代写论文:一种文学手段
Austen’s work reflects a shift in attitudes toward female characters. Unlike Shakespearean plays that utilized women as a literary device, Austen’s novels put women in the forefront. Austen’s female protagonists not only featured multiple dimensions in character, they also showcased the manipulation of women by duplicitous men. Where Shakespeare’s tragic heroes like Othello were led astray by evil men or driven insane by the beguiling sexuality of women, Austen’s women are morally upright people whose good intentions are marred by the ill will of men.NA is unique among Austen’s works, even among its contemporaries here examined. Austen takes a female coming-of-age novel and makes it extraordinary; where she could have opted to make NA an endorsement of English patriarchy, she instead focused on the development of Catherine as a human. Shakespeare’s female characters were often of a single dimension in their characterization. No epiphany led to a significant change in a Shakespearean female character. Austen, on the other hand, presented a versatile Catherine, one who abandoned a wealthy John (not to mention a marriage into fortune) in favor of Henry, the modest clergyman. Women of the age would have swooned for a man of John’s wealth, as a woman’s life was either spent in a convent or raising children on an estate. With Catherine’s humility and genuine character, Austen places importance on marriage as an institution of mutual affection rather than one of financial gain. In doing so, Austen shows her audience a deeper side of female characters, revealing women who grow as people with lives outside the realm demarcated by social boundaries. Through Catherine, Austen communicated hopes and dreams that went against the grain of society, but were nurtured and pursued all the same. More important than the substance of the message was the media; Austen managed to relay these subtleties within an 18th century context specifically from a woman’s point of view.
