新年第一天，通常被视为一个新的开始，这可以说是赫尔默家族的观点，他们都很期待这个新的开始。Torvald开始一个更好的工作在他工作的银行，Nora几乎是免费的如果不是已经没有她的债务的新年。到演出结束的时候，Nora已经给自己定了一个新的开始，虽然没有预料到，没有她的孩子和丈夫。关于债务的秘密被Torvald发现，她已经达到了顿悟，因为她“仅仅存在执行技巧”，指责他和她的父亲对待她像个被宠坏的孩子，为自己的娱乐玩具。他们希望她变得无知和无助，到目前为止，她只想取悦他们，转而错过任何教育和提高自己的机会。所有的时候，她巧妙地背叛或违背了或者说她是一个在幕后控制，但现在她看清楚了，再没有欺骗。Nora的顺从到Torvald不再看见。她不再是个孩子了，但作为一个成年女性，作者所用的这些符号显示了她随时间的发展。尤其是当Torvald不能提供力量，她需要的，因为她真的可以说她不再爱他。她意识到自己想要追求独立，与其说是一种转变，倒不如说是一种她一直拥有的力量的觉醒。
新西兰塔拉纳基西部理工学院代写:工作的银行
New Years day is traditionally viewed as a new beginning and such can be said to be the Helmer family’s view, they are looking forward to this new beginning. Torvald starts a better paying job at the bank at which he works, Nora is almost free if not already free of her debt by New Years day. By the end of the play Nora has definitely made a new beginning for herself though not as expected; without her children and her husband. As the secret about the debt is found out by Torvald and she has reached an epiphany because of this that she “existed merely to perform tricks” blaming him and her father for treating her like a spoilt child and a plaything for their own entertainment. They wanted her to be ignorant and helpless, and thus far she has only tried to please them and in turn missing out on any opportunity to educate and improve herself. All the times she subtly rebelled or disobeyed or rather she was the one in control behind the scenes but now she is seen clearly, no more deception. Nora’s submissiveness to Torvald is no longer seen. She shows herself no longer as a child but as an adult woman these symbols that the author has employed has shown her development over time. Especially when Torvald fails to provide the strength that she needed, because of that she can truly say that she no longer loves him. Her realization that she wants to pursue her independence is not so much a transformation but an awakening to a strength that she had possessed all along and with this strength she can begin a new.
